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Marjan Tomšić,
Šavrinke
Šavrinke (Istra),
KG 1986; 2. popravljena izdaja 1991
Book
SHAVRINKAS (1986) -
the novel that literary historians describe as the work of "magic
realism" in which the author tells us about rural life in the
country named Shavrinija. Istria was a very poor area during the
Wars and after them. The popularity in Istria is mainly rural, but
the soil is not very fertile. As social-etnological phenomena we
can see Shavrinkas whose lives and jobs represent a link between
poor peasants and trade center - the city of Trieste, where Shavrinkas
and some Shavrine-men carry their produce of the field, trying to
sell it in the market and as exchange they bring home things essential
for life that can not be grown at the field, such as thread, petroleum,
soap or small amount of money itself which is used for payment of
taxes. In the meantime Istrian men work in the fields, do housework
and care for children. Life motive of Shavrinkas is seen from their
comprehension of the world to be fatal, magic, irrational, in which
each occurance has its place and meaning.
Play
IT SOUNDS FROM EARTH, IN FIRE IT CHANGES TO A VOICE, THEN IN
SMOKE IT TURNS TO A STORY - A SOUND DOCUMENT OF MAGIC TUNES OF LIFE
The play of Marjan Tomšić (adaptation by Petra Tanko) is
about unusual Istrian women, Shavrinkas; about their comings and goings
through strong wind to a day and night: we, the recreators of the story,
have heard a tale told from the bowels of the country where those proud
travellers and caretakers of lives have lived, representing real delegates
of the Great Mother Earth on istrian soil.
They have met several good and bad people on their
travels and heard joyful and dark secrets of their homes. Documentary
sides of the stories about their survival with the travelling trade and
about their adventures and meeting on their travels between home and
Trieste have left many traces in the cultural tradition of the region.
Based on real events, the tradition poured at first to collective memory,
then to oral stories told from one generation to another and at last to
magic texts of writers like Tomsic.
Production of the play in acoustic environment where the
play belongs, therefore should happen in the heart of the Istrian land; in
its substantiality. Therefore, we have lit the fire in Tona's fireplace
and instead in the studio, we have put actors'voices under the roof of her
house, in her rooms. We have recorded the play of voices and audio spaces
of the Istrian past.
We have heard the play by the fireplace, we have played
it in the middle of fire smoke, we have told it between the same strong
wind and smoke where their ancient stories have been listened to. We have
leaned our microphones on the Istrian land, on its stone and its soft soil
and borrowed some of its audio features. And we have borrowed a piece of
silence under its starry sky.
IGOR LIKAR
A radio play We Belong to the Stone, the Soil and the
Stars, Too is an adaptation from th motives of the novel Shavrinkas.
Regarding space and time frame, it is, comparing to the novel reduced and
limited to an evening meeting by the fireplace of Filomena Sturmanka,
where Shavrinka sleep several times when they are on their travels. There,
chilled and famished Shavrinkas are treated wit a stew and hot wine, which
heat their bodies and hearts too. Pleasant companionship and chat, that
reach the highest point with a song and dance, reveal to us their sincere
and also veiled intimate thoughts about people and their good and bad
inclinations. The main idea is shown in the figure of Katina, because it
opens an extension of a miracle that explains, and at the same times
veils, individual's identity as well as extends over physical borders of
the Earth - up to the Stars.
Authenticity of the radio play may be seen in the sound
concept, that has overgrown the walls of a studk as the radio play has
been recorded mostly in a museum's object "Ethnological collection of Tona1
house" in the village St. Peter in Slovene Istria. Therefore, acoustics of
the Istrian house made of ston and its fireplace and especially the sound
of strong wind, eternal companion of Shavrinkas, additional! vivify
illustration of their lives.
PETRA TANKO
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Author
MARJAN TOMŠIČ
was
born in 1939 at Rače near Maribor. After his job as a pedagogue
and as a journalist he became a free-lance artist and writer.
For the last years he has been living and working at Koper and his
themes have been motives from Istria and the lives of Istrian people.
His works, defined by genres, are:
-
science and psycho fiction
- satire
- grotesque
- humouresque
- comedy
- critical social work
- erotic and
love stories
- magism of life
- fairy tales and children's fantasy
world.
As far as form is concerned, he has written short and long
prose works as: Circle in Circle (1968), Beyond (1980), Olives and
Salt (1983), Shavrinkas (or Šavrinke) (1986), And you simply go
(1987), Super lasses (1988), Caphoria (1988),
Eternal wind (1989), Cottages (1990), Swearword
(1991), Corn seed (1993), Heads up, Ears down (1993),
A Fire Glow (1994), A Gypsy Woman (1994), A Clown
(1996), Stories about Snakes (1996), Return (1996),
The Little Ones (1998), Space Dust (1999).
His opus contains also a collection
of folk storries from Istria: Night is Mine, Day is Yours
(1989), then radio plays (A Cube, Three, A Key, Black Angel)
and scripts for critical social cartoons (Snakes, A Stone, A
Door, A Cocoon and others). A lot of his time has been dedicated
to editorial work; he has written many accompanying words and has
cooperated at a lot of antologies. For his novels, short stories,
radio plays and cartoons he has received several awards at Slovenian
and International festivals, several times he has been nominated for
the writer of the best Slovenian novel (Award Kresnik) and in 1992
he received Award of Preseren's fund for the collection of short
stories Cottages and the novel Swearword. In 1996 he received
Kocijancic's award for his Istrian opus.
Source:
-
Pokrajina te
povabi - podobe Šavrinke - http://www.rtvslo.si/savrinke/
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Created: Thursday, December
30, 2004;
Last updated:
Wednesday, May 04, 2022
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