|
2010
[Editor's
note: we do not attest to the accuracy or completeness of the notes that accompany
these stamps which are written by the postal authorities or independent sources..]
|
(HRV)
CROATIAN FLORA - PEONY (two stamps)
-
Date
of issue: March 8, 2010
- Value: 3 kn
- Author: Sabina Rešić, painter and designer, Zagreb
- Size: 96,50 x 79,50 (35,50 x 29,82) mm
- Paper: white 102g, gummed
- Perforation: Comb,14
- Tehnique: Multicoloured Offsetprint + Varnish
- Printed by: "Zrinski" - Čakovec
- Quantity: 45000 blokova/souvenir sheets
-
Date
of issue: March 8, 2010
- Value: 3 kn
- Author: Sabina Rešić, painter and designer, Zagreb
- Size: 96,50 x 79,50 (35,50 x 29,82) mm
- Paper: white 102g, gummed
- Perforation: Comb,14
- Tehnique: Multicoloured Offsetprint + Varnish
- Printed by: "Zrinski" - Čakovec
- Quantity: 45000 blokova/souvenir sheets
- Motif: Croatian peony sorts
The family of peony (Paeoniaceae) is composed of
only one genus of about thirty herbaceous and about ten woody tree peonies
spread mostly in hilly and mountainous areas in temperate zones of the north
hemisphere. The Latin name of the genus, Paeonia, is derived from the name of
Paeon, a mythical physician highly respected among Greek Gods. The Paeon’s
teacher Asclepius, the God of medicine and pharmacy, became jealous of his pupil
and intended to kill him. For that reason Zeus hid the young physician turning
him into a curative plant with nicely smelling flowers – which, after him, was
named Paionia (Peony). For thousands of years the symbolics of peony has been
present in mythologies and legends of many peoples of Europe, Asia and North
America: the peony is especially respected and admired in China and Mongolia.
Croatian Flora includes three species and several subspecies of peony - all of
them strictly protected by the law. Wild Peony (Paeonia mascula (L.) Miller),
known among people as the «male» peony, is a Tertiary relic (the remainder of
pristine Flora before Ice Age) a very rare plant also in Croatia, protected by
the law even since 1958. It is a perennial plant, 80 cm high, with tuberous,
thickened roots. Numerous, not branchy stalks are upright and bare, overgrown by
leaves to the top, on which only one flower develops. The leaves are threefold,
composed of integral, shiny, green leaflets. The flowers, up to 10 cm in
diameter, have many yellow stamens surrounded by five petals, in colours from
pink to purple. The number of petals can sometimes spontaneously increase and
all the cultivars have “full” flowers (the so called flore pleno, fl.pl.) with
numerous petals. The Wild Peony blossoms in April and May in sunny habitats of
bright and warm woods and shrubberies, at higher altitudes. As curative plant
the wild peony is in some areas used in veterinary and human medical care and is
a very popular decorative plant. Rare in Croatia is Common Peony (P. officinalis
L.), known also as the «female» peony, because of its fragile structure. It
reaches up to 60 cm, has leaves composed of leaflets split in three parts and
dark red flowers with five petals. It grows in bright woods and on grassland,
usually on limestones from France to Albania. In spite of its toxicity the
common peony has been used in folk medicine for more than 2000 years as an
effective remedy against convulsions, and today is mostly used in homeophatic
remedies. It has been grown for centuries primarily for its curative properties
but also for its beauty: one of the oldest cultivars in our gardens is Rubra
Plena, a very nice plant with full, red flowers with numerous petals. Like other
sorts of peony, also our sorts can be found in cultivation throughout the world,
appreciated as exceptionally beautiful and long-lived decorative plants: if
their root is not disturbed and the temperature does not drop below -15 oC, the
peony in cultivation lives up to 50 years and develops into a quite impressive
bush. Several hundreds of cultivars (sorts) of different peony species are
known, which are in horticulture divided according to their flower shape
(simple, double, or multiple petals) and their size (small, medium, large). Many
species and cultivars – apart from magnificent flowers, are also favoured with
pleasant smell, coloured leaves or prominent fruit, which makes them an
irreplaceable part of flower beds of herbaceous perennials in temperate zones of
all continents.
Sanja Kovačić
|
(HRV)
CROATIAN FLORA – FRUITS - WOODLAND STRAWBERRY
-
Date
of issue: March 16, 2010
- Value: 1 kn
- Author: Sabina Rešić, painter and designer, Zagreb
- Size: 42,60 x 35,50
- Paper: white 102g, gummed
- Perforation: Comb,14
- Tehnique: Multicoloured Offsetprint + Embossed Print
- Printed by: "Zrinski" - Čakovec
- Quantity: 150000
- Motif: Wild Strawberry (Fragaria vesca
L., Family Rosaceae)
English: Woodland Strawberry
German:. Wald-Erdbeere
French:. Fraisier des bois
Italian: Fragola di bosco
Woodland strawberry is s low perennial herb
growing in temperate zones of north hemisphere. From the underground root there
grow flowering stems, runners (stolons) and toothed trifoliate leaves. Flowers
on long pedicles have 5 white petals with numerous pistils and stamens. Apart
from a real calyx with five sepals, the flower of woodland strawberry has also
an outer calyx with five smal leaves, that protrude on the fruit or are turned
backwards. The fruit of woodland strawberry, with an exceptionelly
characteristic smell and taste, is often wrongly considered broad bean.
Actually, the strawberry is a typical example of aggregate fruit, with the
structure built of fleshy receptacle with numerous separate fruits – small nuts.
The scientific term for the strawberry genus is derived from latin fragare = to
smell, as the strawberry fruit was called in ancient times (fragum). Woodland
strawberries were cultivated in Persian gardens already at the beginning of the
15th century, and traded along the Silk Route; nowadays these small fruits are
mostly being collected in nature. The archeological findings confirm that people
used woodland strawberries as food and medication already in early Stone Age,
and today they are being used also in homeopathic medicine, cosmetic industry
and horticulture. The woodland strawberry has completely been suppressed from
cultivation by the Garden Strawberry (Fragaria x ananassa), raised in France in
the middle of the 18th century, by interbreeding of the North American Virginia
Strawberry (F. virginiana) and South American Chilean Strawberry (F.
chiloensis). Today about 400 sorts of garden stroberries are known, that differ
in size, smell and taste of their fruits, and some even in colour (white, orange
and yellow sorts). Nevertheless, woodland strawberries are still appreciated as
more tasteful, better smelling and more nutritious than garden strawberries.
Various strawberry processing procedures have turned strawberries into one of
the most favourite fruits in the world: let us only mention cakes and compotes,
icecreams, marmelades and jams, fruit juices, cyrups and wine! It is far less
known that the strawberry leaves are very rich in vitamin C and are a good
substitute for black tea to which fragrant, dried fruits can be added.
Artificially produced strawberry aroma is used for colouring food and various
cosmetic products.
|
(HRV)
CROATIAN FLORA – FRUITS - GRAPEVINE
-
Date
of issue: March 16, 2010
- Value: 4 kn
- Author: Sabina Rešić, painter and designer, Zagreb
- Size: 42,60 x 35,50
- Paper: white 102g, gummed
- Perforation: Comb,14
- Tehnique: Multicoloured Offsetprint + Embossed Print
- Printed by: "Zrinski" - Čakovec
- Quantity: 150000
- Motif: Grapevine (Vitis vinifera L.,
Family Vitaceae)
English: Grapevine
German: Winerebe
French: Vigne
Italian: Vite
Grapevine, together with wheat and olive, is
among the oldest cultivated plants of the ancient world and still the most
spread fruit on our planet. The wild subspecies of grapevine (subsp. sylvestris)
is a creeping plant that can reach up to 15 m height, coils around its
supporting rod thanks to its long and short offshoots with tendrils. The leaves
are on long stems and lobate in shape. Tiny flowers are divided in male and
female blossoms, gathered in peak clusters. The domesticated subspecies of
grapevine (subsp. vinifera or sativa) has hermaphrodite flowers, whereof the
female ones give fruit – soft berries with several seeds each. There are almost
20.000 described sorts of grapevine, which differ in their ripening time,
resistance to climate factors, diseases and parasites, but first of all in their
fruits that can be used in wine production and that are of different colour,
size, shape, taste and smell of their clusters. The sorts of grape vine can be
divided by the colour of their berries in white and red, and further in rose and
black, i.e. red, and according to its smell to aromatic and non-aromatic.
Depending on the sort, the grapes ripen from July to October, and sometimes the
harvest is postponed till the icy grape-harvest at the beginning of the year.
The grapevine has been cultivated in the Mediterranean since ancient times and
the oldest wine cellar, built 7000 years ago, was also found there. Croatia has
exceptionally favourite climate conditions for raising various sorts of grapes
(Croatia comprises all five zones of grapevine cultivation); the grapevine is
also depicted on Croatian two-lipa coin. The first grapevine trees in today’s
continental Croatia were planted by Romans (in Srijem area), and at the coast
(on islands) by Greeks. From about 130 sorts of autochtonous grapevines
cultivars in Croatia, the best known is the Vitis Vinifera L. (plavac mali crni)
- a crossbreed of "dobričić” from the Island of Šolta and „crljenak” or
zinfandel from Kaštela, which is used in production of excellent wines (Dingač
and Postup) from protected geographical regions (protected denomination of
origin) – like e.g. areas on the peninsula of Pelješac. Apart from the
production of wine, the grapevine has also other culinary uses (raisins,
vinegar, stuffed grapevine leaves), and uses as medication. |
(HRV)
CROATIAN FLORA – FRUITS - GOOSEBERRY
-
Date
of issue: March 16, 2010
- Value: 4 kn
- Author: Sabina Rešić, painter and designer, Zagreb
- Size: 42,60 x 35,50
- Paper: white 102g, gummed
- Perforation: Comb,14
- Tehnique: Multicoloured Offsetprint + Embossed Print
- Printed by: "Zrinski" - Čakovec
- Quantity: 150000
- Motif: Gooseberry (Ribes uva-crispa
L., Family Grossulariaceae)
English: Gooseberry
German: Stachelbeere
French:. Groseillier a maquereaux
Italian: Uva spina
Gooseberry (syn. R. grossularia) is 1 - 3 m high,
broad bush belonging to the genus of Ribes. Some botanists are of the opinion
that the gooseberries significantly differ from ribes (currant) and that they
belong to separate genus, Grossularia, after which - earlier in history, the
entire plant family has been named. Thin, hairy gooseberry offsets are spirally
overgrown by sharp, greyish spines, which are not present in ribes, while the
hairy leaves are small and lobate. The bell-shaped greenish flowers, are hanging
singly, in pairs or by three. The fruit is more or less hairy berry of a
diameter 1 - 3 cm, white, red, green or yellow in colour, depending on the sort
(at least 200). The yellow berries are considered to be the most tasteful as
food, and the wine made from them has the taste similar to champagne. The red
berries are as a rule the sourest but also the richest in vitamin C. Gooseberry
is native to Europe and West Asia. In South Europe gooseberry grows in moist and
cold habitats in schrubberies and woods at the foot of hills; it is relatively
unknown sort, rare in cultivation. Gooseberry is also a pretty demanding plant
to cultivate, since it can not stand strong sun and summer lack of moisture, too
high or too low temperatures, and is subject to a series of parasites and
diseases. Thus, also in Croatia it is cultivated individually and primarily as a
decoration in home gardens or in hedges around vegetable gardens, together with
raspberries and currants. However, in Middle and especially in North Europe and
Russia (where it was grown as early as in the 11th century), gooseberry was
highly appreciated fruit, cultivated en masse. It is mostly used in culinary,
for preparation of various desserts, especially cakes, and gelatine food
(containing high percentage of pectin) and sauces. The gooseberry fruits -
because of their high percentage of water, are subject to quick spoilage, and
cannot be stored fresh for a long period of time: therefore they are most often
processed into marmalades, jams, juices or wine. In cosmetic industry gooseberry
is added to face masks, and is considered also to be a curing plant - in the
form of refreshing tonic for the “spring body cleaning”.
Sanja Kovačić |
(SLO) TOURISM: IZOLA ISLAND
-
Date
of issue: March 26, 2010
- Value: 0.92 €
|
(SLO) FLORA: Dianthus
sanguineus, dianthus sternbergii & dianthus deltoides
- Date
of issue: March 26, 2010
- Value: 0.92 €
|
(HRV)
LOCOMOTIVES (two stamps)
-
Date of issue: March 29, 2010
- Value: 7,1 kn
- Author: Tatjana Strinavić, designer, Zagreb
- Size: 48,28 x 29,82 mm
- Paper: white 102g, gummed
- Perforation: Comb,14
- Tehnique: Multicoloured Offsetprint
- Printed by: "Zrinski" - Čakovec
- Quantity: 100000
- Motifs: a steam locomotive of SüdB 18 series and a steam
locomotive of MÁV 326/JŽ 125 series
The 150th anniversary of the Croatian railroads will be
celebrated in 2010. Two steam locomotives from the SüdB 18 and MÁV 326/JŽ 125
series have been chosen for that very occasion as the motives of the
commemorative postage stamps from the "Steam locomotive" series.
The
aforementioned locomotives were among the first participants in the Croatian
railroad traffic and they, therefore, tell their own story of this year’s
anniversary. Building railroads in Croatia was a task set out within the traffic
policy of the Habsburg Monarchy which, in 1836, accepted the technical study of
a Vienna university professor Franz Xaver Riply as a framework of its railroad
network. The study predicted a construction of 13 railroad tracks, with their
starting points in Vienna and Budapest, from where the railroad tracks network
was intended to spread in the shape of a star towards the areas that were a part
of the Monarchy. A part of the plan included linking the centres of the Monarchy
with the ports on the Adriatic Sea (Pula, Rijeka, Šibenik and Split) via the
railroad, as well as the rivers Sava and Danube. Railroads Zidani Most – Zagreb
– Sisak, Zagreb – Karlovac and Budapest – Rijeka were supposed to be the first
Croatian railroad tracks. However, due to the political situation, the first 42
kilometres of the railroad tracks in Croatia were built between the Machine
station, on the today’s Slovenian and Croatian border, and the Kotoriba railway
station, as a section of the Pragersko – Čakovec – Kotoriba – Nagykanizsa
railroad tracks.
The aforementioned railroad, known as the "Croatian stub", was
opened for public on 24 April 1860 and it connected Budapest directly to the
main Vienna – Trieste railroad. The construction of the railroad tracks through
the Zagreb area followed. The first of them, the Zidani Most – Zagreb – Sisak
railroad, was opened on 1 October 1862, and three years later the Zagreb –
Karlovac railroad was opened as well. Both railroads had the status of lateral
railroads within the main Vienna – Zidani Most – Ljubljana –
Trieste railroad
and they were built by the Imperial Royal and Privileged Southern Railway
Society.
Alongside the first railroad tracks, in 1862 Zagreb also got its first
railway station, the Zagreb South Railway Station, today known as the Zagreb
West Railway Station. The construction of the railroad tracks continued with the
objective of establishing a railroad connection with Rijeka. In 1870, the
Hungarian National Railroad Company finished the construction of railroad tracks
between Zakany, Koprivnica, Križevci, Dugo Selo and Zagreb, and in 1873 it
completed the railroad connection between Budapest and Rijeka by finishing the
last section between Karlovac and Rijeka. The same year, the Southern Railway
Company succeeded in establishing a railway connection with
Rijeka by a railroad
between Sveti Petar, i.e. today’s Pivka, and Rijeka. At the same time, in 1871,
first railroads were also built in Slavonia, between Erdelj, Sombor, Erdut, Dalj
and Osijek and between Osijek and Beli Manastir. Seven years later a railroad
connection between Dalj, Vinkovci and Slavonski Brod was completed as well. At
that time, Austria was simultaneously building a railroad between Divača and
Pula, which was opened for public in 1876. Railroads in Dalmatia were the last
on the list of railroads built within the Monarchy’s railroad network. The first
kilometres sprung up in 1877. It was the Split – Siverić section with branches
leading to Perković and Šibenik.
In 1888, the railroad was extended from Siverić
to Knin and the Dalmatian railroads were not included into the entire railroad
system up to 1925, with the construction of the Lika railroad between Ogulin,
Gospić and Gračac. The Zadar area gained its only railroad in 1967 by the
construction of the Zadar – Knin railroad. During that first period of building
railroads in Croatia, all railroad tracks were financed from state resources and
they were categorized as main railroads of the first and second order. However,
the possibility of building vicinal railroads, which connected the economically
developed smaller towns and were connected to the already existing railroads,
was legally verified in 1880. Vicinal railroads could have been built by
individuals using their own resources, as well as by towns and companies, which
aroused interest of wealthy farm and factory owners in Croatia and Hungary and
led to a sudden expansion of the railroad network, particularly in Slavonia and
Hrvatsko zagorje. Thanks to that, at the beginning of the 20th century all
larger industrial centres in Croatia (Zagreb, Sisak, Karlovac, Osijek,
Rijeka
and Pula) were interconnected by main railroads, and they were also directly
connected to capital towns of the Austrian-Hungarian Monarchy.
Other smaller
Croatian towns were connected to the main railroads via the widely spread
network of vicinal railroads. In the 20th century the railroad network in
Croatia was expanded in accordance with the interests and needs of the new
international law systems which Croatia has been a part of since 1918. In terms
of transport, the framework of the railroad system was the newly established
main railroad Zidani Most – Ljubljana – Zagreb – Belgrade. Redirecting and
connecting the existing railroads in a different way followed, and the
construction of new railroads was synchronized with the traffic demands of a
different railroad system. Nowadays, the railroad network of the Croatian
railroads includes the 2976.276 kilometres of railroad tracks. The international
transport takes place on a total of 1711.622 kilometres of railroad tracks, the
regional transport on 600.296 kilometres and the local transport on 664.218
kilometres of railroad tracks. The total length of the electrified open railroad
tracks amounts to 1228.4 kilometres, and the total length of Croatian Railroads’
sections of the Pan-European traffic corridors is 767.6 kilometres.
The railroad
network counts an overall number of 252 railway stations. A steam locomotive of
the SüdB 18 series Steam locomotives of the SüdB 18 series were designed by
Austrian constructors between 1859 and 1872. They were used to pull the
passenger trains on the lowland railroads. According to the information
available to us, the locomotives of the SüdB 18 series also pulled trains on the
first Croatian railroad tracks between Čakovec and Kotoriba, and Zidani Most,
Zagreb and Sisak. The locomotive’s power amounted to 258 kW (350KSi), it was
8105 millimetres long, weighed 32.90 tons and could reach the maximum of 60
km/h. The locomotives were a part of the Croatian traffic since 1922. Not a
single locomotive of this series remains preserved in Croatia today. A steam
locomotive of the MÁV 326/JŽ 125 series Steam locomotives of the MÁV 326/JŽ 125
series were built between 1882 and 1897 in factories in Vienna, Linz and Munich,
and since 1888 in Budapest as well. They were primarily used to pull the cargo
trains but they were used for transport of passengers as well. These locomotives
first operated on a railroad track between Budapest and Zagreb, and then they
were also used on the Rijeka railroad. The power of the locomotive amounted to
302kW (410KSi), it was 15.131 mm long, including the tender, it weighed 48.750
kg, also including the tender, and it could reach a maximum of 45 km/h.
Locomotives of this series were used for transport for sixty years. Only one
locomotive of this series (mark 125-052) has been preserved in Croatia. It is
now a part of the Croatian Railway Museum and it is on display on the Main
Railway Station in Zagreb. The locomotive was built in 1891 in Budapest and it
is the oldest vehicle in the Museum’s collection.
Helena Bunijevac
|
(HRV) 400 YEARS OF CAPUCHINS IN CROATIA
(#769)
-
Date of issue:
April 15, 2010
- Value: 6,1 kn
- Author: Ariana Noršić, designer, Samobor
- Size: 29,82 x 35,50 mm
- Paper: white 102g, gummed
- Perforation: Comb,14
- Tehnique: Multicoloured Offsetprint + Gold
- Printed by: "Zrinski" - Čakovec
- Quantity: 100000
- Motif: A Capuchin and St. Leopold Mandić under arcade of the
Church of Our Lady of Lourdes in Rijeka
The Order of Minor Friars Capuchins (lat. Ordo fratrum
minorum Capucinorum, OFMCap) came into existence after the reform of the
Franciscan Order as a third self-standing branch of the first Order of St.
Francis of Assisi. It was founded by M. da Bascio and L. da Fassombrone for
keeping alive the original «Rule» by St. Francis of Assisi. The new order was
confirmed in 1528 by the Pope Clement VII, and at the time of the Pope Paul V,
in 1616, received his own minister general. The seat of the Capuchins is Rome.
The Capuchins wear brown habit with pointed hood (like the one reportedly worn
by St. Francis).
During history, the Friars Capuchins - known as the order
practicing highly contemplative life – developed a diverse apostolate among
different social strata. They accepted the pastoral work as well as the
spiritual care, education and missionary work and were an important leverage of
the Catholic Reformation in the 16th and 17th century. Actually, after 1574 the
Pope Gregory made possible the spreading of the Capuchin Order outside Italy, so
that from that time their intensive preaching and missionary work began. The
arrival of Capuchins in Croatia is directly connected with the founding of the
Capuchin Monastery in Steiermark (Styria) in 1600, i.e. with the coming into
existence of the Styria Province in 1608. Officially the Capuchins arrive for
the first time to Croatian regions in 1610, first to Rijeka
where they found and
begin to build the monastery, whereafter monasteries are founded in Zagreb in
1618, in Split in 1691, in Varaždin in 1699, in Osijek in 1703 and in Karlobag
in 1710.
The period from 1625 to 1789 is also known as the golden age of the
Order because then starts the intensive spreading of the Capuchins to other
Croatian towns. The 18th century marked the beginning of stagnation of the rank
and the dissolution of numerous monastery communities. The year 1824 is
considered the beginning of the new epoch. In that year a sixteen-year old Juraj
Bedenik from Koprivnica, who receives the name Fra Angelic, joins the Order.
Actually in 1845 Fra Angelic becomes a custos of a Croatian littoral custody for
which he - in 1874, managed to achieve the promotion to a rank of province. At
the beginning of the 20th century the monastery in Rijeka under the leadership
of Fra Bernardin Škrivanić becomes the central monastery of Croatian Capuchins
and the focus of the religious and cultural revival in Croatia.
Thanks to his
initiative, in February 1904, the building of the church of Our Lady of Lourdes
in Rijeka - after the project by the architect Giovanni Maria Curet, begins. The
lower part of the church was finished in 1908 and dedicated to Our Lady
Comforter of the Afflicted in Purgatory. Its final aspect received the facade of
the upper church in 1929 after the project of the architect from
Rijeka,
Cornelij Budinich. In the upper church, the famous painter from
Rijeka, Romolo
Venucci, successfully made the ceiling paintings and decorations. The sculpture
decorations on the facade were made by the Venetian sculptor Urbano Bottasso and
the stonemason from Rijeka Antonio Marietti. The bell tower, which was to be
erected above the main facade, has never been built.
The entire building, a
quality neo-mediaeval architecture is unique in wider Rijeka region. At that
time, on the initiative of Fra Bernardin Škrivanić, also modern printing houses
“Miriam” and “Kuća dobre štampe” (The House of Good Print”) were founded. The
monastery in Rijeka becomes a central point of the Croatian Catholic Movement
headed by the Bishop of Krk, Antun Mahnić. In the year 1967 the contemporary
Capuchin Illyric Province which included Slovenian and Croatian monasteries, was
divided into Slovenian and Croatian Commissariat, i.e. Commission. Short time
after that in 1974 the minister general of the Order, Fra Pashal Rywalski,
proclaimed the Croatian Commissariat an independent province. From that time
till today the Croatian Capuchin Province is under protection of St. Leopold
Mandić and comprises the monasteries in Zagreb (St. Michael and St. Leopold),
Varaždin, Osijek, Rijeka, Karlobag, Split and Dubrovnik. The commemoration of
the 400 years from the arrival of Capuchins to Croatia is a very important
anniversary in the Croatian cultural history and presents an outstanding and
important element in the overall Croatian identity. |
(HRV) FAMOUS
CROATS - IVAN MATETIĆ RONJGOV (a.k.a. GIOVANNI MATETICH)
-
Date of issue:
April 22, 2010
- Value: 4,5 kn
- Author: : Tomislav Vlainić,designer, Zagreb
- Size: 29,82 x 35,50 mm
- Paper: white 102g, gummed
- Perforation: Comb,14
- Tehnique: Multicoloured Offsetprint
- Printed by:
"Zrinski" - Čakovec
- Quantity: 100000
Croatian composer, melograph and music educator Ivan Matetić Ronjgov
was born 10 April 1880 in a small village of Ronjgi (comunity Viškovo) [in Istria],
according to which to his family name the attachment Ronjgov has been
added. He finished Teacher Training College in Koper, where he acquired
his first music knowledge and after formal schooling, in the period
between 1899 and1912 he taught in many Istrian villages, and later, till
1919, in Opatija. Though already skilled in composition and in choir
conducting, it is only in his mature age that he will acquire
professional education at the Music Academy in Zagreb, where he
graduates in 1922 in the class of Franjo Dugan, the older.
After three
years spent at the Sušak Gymnasium as a teacher in singing, he returns
back to Zagreb in 1925 and becomes a secretary at the Music Academy.
From 1938, when he retires, till 1945 he lives in Belgrade but after the
end of the war he returns first to Zagreb and in 1946 to his
Rijeka.
There he works for some time as a part-time teacher at Music School,
today bearing his name. |
(HRV)
FAMOUS CROATS - JANKO POLIĆ KAMOV
-
Date of issue:
April 22, 2010
- Value: 3,1 kn
- Author: Tomislav Vlainić,designer, Zagreb
- Size: 29,82 x 35,50 mm
- Paper: white 102g, gummed
- Perforation: Comb,14
- Tehnique: Multicoloured Offsetprint
- Printed by: "Zrinski" - Čakovec
- Quantity: 100000
By his flashy passage through the expanses of Croatian
literature, by his daring testing of hardly dreamt potential of his
mother tongue and even more daring questioning of almost all national
customs, practices, manners, heritage and values, Janko Polić has turned
an essentially new page in Croatian literature creating a radically
modern sensibility. Having taken a pseudonym Kamov, after a biblical
character who questions his father’s authority and mocks at it, he
himself has stressed in a programmatic way his own rebellious attitude,
and after having tried himself in this revolutionary way in all most
important literary forms (poems, short stories, novel, drama and
feuilleton) he gave to our literature an authentic avant-garde dimension
worthy of great European protagonists. We should not forget that all his
work was written in a sort of creative fever, during only three or four
years of his activity, which amplitude ended in the first decade of the
20th century (parallel to universal appearance of cubism and
expressionism, mostly before the appearance of the well known Futurist
Manifesto).
Janko Polić was born in Sušak, Rijeka, on 17 November 1886. Thrown
out of the Gymnasium in Sušak, he continues his schooling in Senj, where
he is also thrown out of the boarding school. In 1902 his family moves
to Zagreb where Janko gives up all intentions to acquire official
education, but individually shapes himself by frenetically reading
(books from his father’s good library). His relentless spirit leads him
among the rioters against Khuen Hedervary, and results in three month’s
imprisonment in 1903. Already in 1904 he joins a travelling theatrical
company, visiting many counties. By the help of his family, and
financing himself partly from the co-operation with newspapers, from
1907 he often visits various Italian towns where he becomes familiar
with current cultural and artistic tendencies, and intuitively and
prophetically reacts to the disintegration of traditional models and the
announcement of different, innovative ethic and aesthetic ideals.
Helped by his brother Vladimir, in 1907 he publishes his only works
within covers, two collections of poems ("The Curse" and "Pinched Paper
“) and two plays (“The Tragedy of Brains“and “On Native Soil“). In 1910
he starts his journey through Genoa and Marseilles to Barcelona, which
attracts him by social unrests and strong anarchist movement; however,
in this Catalan town, after a very short stay, he dies on 8 August.
Apart from the mentioned works, printed by the author himself, Kamov
published in newspapers and magazines a number of short stories and
travel diaries, and left several plays in handwriting and – most
important – a novel „Dried -Out Mire“ (written between 1906 and 1909).
Rebellious and uncompromising writer, during his life mainly badly
received (severely criticised by Matoš), but after his death given a
justified satisfaction, especially when his plays started to be put on
scene and his epochal novel was printed with a half a century delay (in
the collection of his works, Rijeka, 1956–58). For his experience of
absurdity and grotesque, anxiety and chaos and his expressive registers
of the reflectiveness of a burlesque, inner monologue and polemic
dialogue Janko Polić Kamov is still today among the authors of undoubted
actuality and format, transcending the narrow national limits.
Tonko
Maroević
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(HRV)
OVERPRINT - RIJEKA (#778)
-
Date of issue:
May 17, 2010
- Value: 3,1 kn
- Author: Hrvoje Šercar, painter and graphic designer, Zagreb
- Size: 35,50 x 25,56 mm
- Paper: white 102g, gummed
- Perforation: Comb,14
- Tehnique: Multicoloured Offsetprint
- Printed by: "Zrinski" - Čakovec
- Quantity: 4900000
See also: Cities, Towns and
Hamlets - Rijeka (Fiume) |
(HRV)
LUBENICE – ISLAND CRES (#779)
-
Date
of issue: May 21, 2010
- Value: 10 kn
- Author: Igor Konjušak, graphic artist, Zagreb;Photographer: Petar Strmečki
- Size: 96,50 x 79,50 (35,50 x 29,82) mm
- Paper: white 102g, gummed
- Perforation: Comb,14
- Tehnique: Multicoloured Offsetprint
- Printed by: "Zrinski" - Čakovec
- Quantity:
- Motif: Lubenice - panorama Lubenice – a town of stone
The power of the ancient
myth, in which the main characters are Apsyrtus, Jason, Medea and the Argonauts,
introduces us into the pre-origin of the group of islands called Apsyrtides, to
which also Cres belongs. At cultural level, on the island
Cres there can be
noticed for centuries present interaction between the landscape and the evidence
of very different peoples (Illyrians, Greeks, Romans and Venetians) who in their
historic eras and within their own civilisations created a cultural and
historical matrix of this region. The area of Lubenice and
Pernat, called Gerbin
(south-western wind) by local inhabitants, is bordered on its west side by the
vast bay of Cres and by its position stands out as a separate micro-region of
the island Cres. As concerns historic continuity here we find: settlements
existing from the pre-historic period till today, settlements built next to
cultivated soil and settlements of the scattered type, built at the seashore. A
Roman Hibernicia/Hibernitia, i.e. medieval Ljubljenice, and today’s Lubenice, is
a settlement existing in an unbroken continuity for over 4000 years, situated in
the central part of the island, at 378 m above sea level, on the high cliff
dominating the open sea of the Kvarner Bay. Lubenice, like other pre-historic
settlements has used its geostrategic position during history in order to
control the entire Kvarner Bay through the Big Gate. The castle of Lubenice
falls under Venetian rule from 1409 to 1797 and remains urbis and logos, with
the church seat and military garrison, for the inhabitants who escaped from the
further away situated fields of Vransko Lake and the Pernat peninsula.
The
prosperity of Lubenice is reflected in the huge territory belonging to the
community, from the Cape Pernat to Ustrine and from Orlec to
Belej, including
also the villages mentioned. The autonomous community of Lubenice was abolished
at the end of the 15th century, when it – with all its territory - passes under
the administration of the community of Cres. The flourishing, opulent period on
the island at the end of the 17th century favours erecting of houses and sacral
buildings also outside the castle, fortified for centuries. The inhabitants of
the peninsula Pernat, and also of Lubenice have always been economically
oriented to agriculture, livestock farming and forestry. Among the
particularities of the island Cres are the huge estates with vast sheep
economies - the so called shepherd’s dwellings. Through the oval shape of
Lubenice, elongated in the direction north-south, and beginning at the town
square, there stretch three main winding paths (streets) leading into the
medieval town space. In the far history Lubenice was fortified by walls from the
east, that survive today in fragments while the south part of the settlement
leans against a vertical, inaccessible cliff above seashore. In a bounded space,
between the renewed south and the original north town gate, the morphology of
the construction art of Lubenice is found, spanning from the traditional
functional minimalism to the renaissance-baroque elements with rare Venetian
additions. In the first plan of the small town, at the town square and
dominating it, there is a parish church dedicated to Our Blessed Virgin Mary.
Next to the edge of the square and the former town loggia a new bell tower was
erected in 1791. At the south end of the locality there is a renewed gothic
church of St. Anthony the Eremite and a small Romanesque church of St. Sunday.
In the centre of the small town, next to the former rectory there stands a
gothic church of St. Jacob (14th – 15th century). After the north city gate, at
the town cemetery, there is a church of St. Stephen from the 17th-18th century.
As for the housing itself, it uses all the elements of autochtonous and organic
art of building, combined with the elements used in the continental littoral. In
the beginning of 2005 Lubenice was included into the UNESCO World Heritage
Tentative List. A somewhat anticipatory concept design of an eco-park in the
Pernat peninsula (1988) by the scientist Marijan Vejvoda, with the dynamic idea
of including Lubenice in it, a detailed project for the adaptation and
reconstruction of the building heritage with the concept for the revival and
shaping of a varied tourist offer with compatible contents (1955), an always
greater engagement and continuous presence (since 1999) of the Centre for
Sustainable Development – Eco Park Pernat - are all important indicators showing
that Lubenice is no "island", and that the ideas of its full-scale
revitalisation, supported by active participation of local inhabitants, will
prudently and harmonically incorporate sociological, anthropological and
architectural aspects in future, new concepts.
See also: Cities, Towns and Hamlets -
Cres Island |
(HRV)
OVERPRINT - OMIŠ (#777)
- Value: 1,6 kn
- Author: Hrvoje Šercar, painter and graphic designer, Zagreb
- Size: 35,5 x 25,56 mm
- Paper: white 102g, gummed
- Perforation: Comb,14
- Tehnique: Multicoloured Offsetprint
- Printed by: "Zrinski" - Čakovec
- Date of issue: May 17, 2010
- Quantity: 1900000
|
Bibliography:
- Croatian Post Inc. - Croatian Postage Stamps - http://www.posta.hr/markeasp/frame_e.html (English)
& http://www.posta.hr/markeasp/ (Hrvatski)
- Post of Slovenia -
Stamp
Land - http://www.posta.si/Namizje.aspx?tabid=386
- Poste Italiane, Filatelia -
http://e-filatelia.poste.it/showCataloghiProdotti.asp?id_categoria_prodotto=281
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Created:
Friday, July 10, 2009; Last updated:
Monday, June 26, 2023
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IstriaNet.org, USA
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